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    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 226 results for Arnold van Westerhout
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Saint Paul preaching at center, standing in a crowd in a columned interior, pointing upwards toward putti who hold a scroll
Arnold van Westerhout
1681–1725
View of the crane with which Pope Clement XI, in 1705, raised the column and base of the Apotheosis of the Emperor Antoninus Pius from the ruins of the Campus Martius, plate 31 from "Il Campo Marzio dell' Antica Roma, Opera di G.B. Piranesi socio della reale società degli antiquari di Londra" (The Campus Martius of Ancient Rome, the Work of G.B. Piranesi, Fellow of the Royal Society of Antiquaries, London)
Arnold van Westerhout
1762
The sacrifice of Iphigenia
Arnold van Westerhout
1650–1700
Sinorix being carried from the temple after being poisioned
Arnold van Westerhout
1650–1700
Self portait as an artist, holding a drawing board and implement
Pietro Testa
ca. 1645
Achilles dragging the body of Hector around the walls of Troy
Pietro Testa
1648–50
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left
Pietro Testa
1648
Abdon and Sennen carrying the early Christian martyrs off for burial
Guillaume Courtois
1650–60
Abdon and Sennen carrying the early Christian martyrs off for burial
Guillaume Courtois
1650–60
The Death of St. Joseph
Robert van Audenaerde
Marriage of the Virgin
Robert van Audenaerde
Flight into Egypt
Robert van Audenaerde
The suicide of the philosopher Cato, who lies on his bed pulling out his innards watched by horrified disciples
Pietro Testa
1648
Saint Andrew kneeling in prayer as he is led to the cross, after Reni
Carlo Cesi
1650–80
Titeplate to series of prints after Poloidoro, title on a shield supported by two putti
Giovanni Battista Galestruzzi
1658
Plate 27: The female personification of Fortitude, holding a pillar and stroking a lion; from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Pope Leo repulses Atilla from the gates of Rome and points to Saints Peter and Paul overhead
Giuseppe Maria Mitelli
1670–1718
An Account of His Excellence Roger Earl of Castlemaine's Embassy, from . . . James the IId . . . . to His Holiness Innocent XI
John Michael Wright
1688
Annunciation
Hieronymus Bölmann
ca. 1708
Presentation in the Temple
Cornelis Bloemaert
1625–84
Frontispiece: Suite de huit Marines
Stefano della Bella
1634
Annunciation
Nicolas Henry Tardieu
1694–1749
Adoration of the Shepherds
Jean-Baptiste de Poilly
1685–1728
Adoration of the Shepherds
Hubert Vincent
1700–1730
Repose in Egypt
Guillaume Vallet
1652–1704
The Nativity
Francesco Giovane
1630–69
Plate 6: Jupiter embracing Juno from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Adoration of the Kings
Francois de Poilly
1640–93
David Playing the Harp and Dancing in front of the Ark of the Convenant
Pierre LeMaire
Rest on the Flight into Egypt
Johann Jakob Frey the Elder
1700–52
Repose in Egypt
Johann Jakob Frey the Elder
1735
Holy Family
Johann Jakob Frey the Elder
1729
Adoration of the Kings
Johann Jakob Frey the Elder
1736
Perspectiva pictorum et architectorum
Andrea Pozzo
1693
Presentation in the Temple
F. de Louvement
17th century
Study of a Seated Woman and Five Studies of Hands; Verso: Landscape with a Road and a Tree to the Right
Abraham Bloemaert
late 16th–mid-17th century
Plate 8: Polyphemus throwing a rock at Acis and Galatea from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Plate 7: Polyphemus playing the pipes for the Nereid Galatea from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Plate 26: The female personification of Moderation, seated holding reins; from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Plate 27 [bis]: The female personification of Justice, seated holding a pair of scales and fasces; from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657